www.audiosignal.co.uk
Biography
Keith Howard, b.1955
Secondary education	Duke of York’s Royal Military School, Dover (1966-73)
University	Astbury Department of Biophysics, University of Leeds (1973-77) Neurocommunications Research Unit, University of Birmingham (1978-80)
Qualifications	BSc (Hons) Biophysics MSc Neurocommunications
Employment I first worked as a journalist for Haymarket Publishing during my year out between Leeds and Birmingham universities. I was an editorial assistant initially on Popular Hi-Fi (editor David Line) and later on Hi-Fi Answers (editor Paul Benson). When I left in September 1978 it was with every intention to write occasional feature articles for HFA to supplement my student grant but full-time journalism was never my intended career. That changed a couple of years into my research at Birmingham when I realised that my PhD work was going nowhere, not least because I spent too much time in the library reading back issues of the Journal of the Audio Engineering Society. So with apologies to the Medical Research Council I returned to my old job on Hi-Fi Answers, starting there again two years to the day after I’d departed. Shortly thereafter I was promoted to editor, a position I held until marriage provided the financial security to risk self-employment in 1989. I continued writing for HFA’s successor Audiophile until its demise in 1994. The previous year I had become a contributor to the audio section of Gramophone, the renowned classical music magazine, which kept me writing in the audio field while an old Haymarket colleague set up What Home Entertainment, on which I became technical editor when it started in late ’94. It survived for a grand total of seven issues but things could have been worse: payment of my three months notice was partly realised in the form of a MLSSA card and software, bought cheaply in the magazine’s closing down sale. It was the first audio measurement system I’d ever owned and started an itch I’m still scratching. Gramophone asked me to become its audio consulting editor shortly thereafter, under which agreement my audio writing was curtailed elsewhere. But I had already diversified into another area of interest when I began writing for Autocar in 1991. Eventually I became technical editor, then technical consultant; today I’m a special correspondent. Other automotive writing has principally been for Motor Sport and Racecar Engineering. When Gramophone ceased to be a family owned operation in the summer of 1999 I resigned in order to write for the one UK audio magazine still prepared to publish the quite densely technical features I now immerse myself in: IPC Media’s Hi-Fi News. It’s a small world: Steve Harris, HFN’s editor at the time, was the person I took over from on Hi-Fi Answers when I moved across from Popular Hi-Fi in 1978. Most recently I additionally became a contributor to Stereophile in the US, beginning with the January 2004 issue, with a commission to write quarterly technical features. Editor John Atkinson and I used to be deadly rivals when we edited HFN and HFA respectively. Clearly we’ve both mellowed.
Current job titles Contributor, Hi-Fi News Contributing editor, Stereophile Contributing editor, Automotive Design
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